Tuesday, 7 October 2008

The Sound of Painting

Painters have always been intrigued by music, its incorporeality, its sovereign independence of the visible and tangible, and its freedom from the obligation to imitate nature that for centuries was felt to be binding on European art. While poetry, too, despite its higher degree of abstraction, remained tied to the concrete and nameable, music was able to unfold in a free realm delimited only by the rules of tonal harmony derived from its intrinsic means.

Karen V. Maur

No comments: